It was a Christmas miracle for Netflix, as its “Klaus” took home the award for best feature at Saturday evening’s 47th annual Annie Awards, honoring the year’s best in animation.

The Netflix feature film from The Spa Studios and Atresmedia Cine won despite Disney’s box office smash “Frozen 2” and Laika’s Golden Globe-winning “Missing Link” each having a leading eight nominations. It also beat out DreamWorks Animation’s “How to Train Your Dragon: The Hidden World” and Pixar Animation’s “Toy Story 4.”

The Annie Awards, presented by the International Animated Film Society, was presented at UCLA’s Royce Hall.

In addition to the year’s honorees, a series of special awards was presented during the ceremony. Windsor McCay Awards for career achievement were presented to Satoshi Kon, the late Japanese film director, animator and screenwriter; Henry Selick, a stop-motion director/producer best known for “The Nightmare Before Christmas,” “James and the Giant Peach” and “Coraline”; and Ron Clements and John Musker, considered one of the top directing teams at Walt Disney Animation Studios.

Jeanette Bonds, co-founder and director of GLAS Animation, received the society’s June Foray Award while Jim Blinn, a computer graphics expert at NASA’s Jet Propulsion Laboratory, received the Ub Iwerks Award.

Here is a complete list of winners:

Best Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine

Best Indie Feature

“I Lost My Body,” Xilam for Netflix

Best Special Production

“How to Train Your Dragon Homecoming,” DreamWorks Animation

Best Short Subject

“Uncle Thomas: Accounting for the Days,” Ciclope Filmes, National Film Board of Canada, Les Armateurs

Best VR

“Bonfire,” Baobab Studios

Best Commercial

The Mystical Journey of Jimmy Page’s ’59 Telecaster, Nexus Studios

Best TV/Media – Preschool

“Ask the Storybots,” Episode: Why Do We Have To Recycle?, JibJab Bros. Studios for Netflix

Best TV/Media – Children

“Disney Mickey Mouse,” Episode: Carried Away, Disney TV Animation/Disney Channel

Best TV/Media – General Audience

“BoJack Horseman,” Episode: The New Client, Tornante Productions, LLC for Netflix

Best Student Film

“The Fox & the Pigeon,” Michelle Chua

Best FX for TV/Media

“Love, Death & Robots,” Episode: The Secret War, Blur for Netflix FX Artist: Viktor Nemeth FX Artist: Szabolcs Illes FX Artist: Adam Sipos FX Artist: Vladimir Zhovna

Best FX for Feature

“Frozen 2,” Walt Disney Animation Studios, Benjamin Fiske, Alex Moaveni, Jesse Erickson, Dimitre Berberov, Kee Nam Suong

Best Character Animation – TV/Media

“His Dark Materials,” Episode: 8, BBC Studios, Lead Animator: Aulo Licinio, Character: Iroek

Best Character Animation – Animated Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Animation Supervisor: Sergio Martins, Character: Alva

Best Character Animation – Live Action

“Avengers: Endgame,” Weta Digital Animation, Supervisor: Sidney Kombo-Kintombo

Best Character Animation – Video Game

“Unruly Heroes,” Magic Design Studios, Character Animator: Sebastien Parodi, Character: Heroes Kid version, Underworld NPC; Lead Animator: Nicolas Leger, Character: Heroes (Wukong, Kihong, Sandmonk, Sanzang), All enemies (except Underworld levels) and cinematics

Best Character Design – TV/Media

“Carmen Sandiego,” Episode: The Chasing Paper Caper, Houghton Mifflin Harcourt Publishing and DHX Media for Netflix, Character Designer: Keiko Murayama, Character: Carmen Sandiego, Paper Star, Player, Shadowsan, Chief, Julia Argent, Chase Devineaux

Best Character Design – Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Character Designer: Torsten Schrank, Character: All Characters

Best Direction – TV/Media

“Disney Mickey Mouse,” Episode: For Whom the Booth Tolls, Disney TV Animation/Disney Channel, Director: Alonso Ramirez Ramos

Best Direction – Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Director: Sergio Pablos

Best Music – TV/Media

“Love, Death & Robots,” Episode: Sonnie’s Edge Blur for Netflix, Composer/Lyricist: Rob Cairns

Best Music – Feature

“I Lost My Body,” Xilam for Netflix, Composer: Dan Levy

Best Production Design – TV/Media

“Love, Death & Robots,” Episode: The Witness, Blur for Netflix, Production Design: Alberto Mielgo

Best Production Design – Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Production Design: Szymon Biernaki, Production Design: Marcin Jakubowski

Best Storyboarding – TV/Media

“Carmen Sandiego,” Episode: Becoming Carmen Sandiego: Part 1, Houghton Mifflin Harcourt Publishing and DHX Media for Netflix, Storyboard Artist: Kenny Park

Best Storyboarding – Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Storyboard Artist: Sergio Pablos

Best Voice Acting – TV/Media

“Bob’s Burgers,” Episode: Roamin’ Bob-iday, 20th Century Fox / Bento Box Entertainment, Cast: H. Jon Benjamin, Character: Bob

Best Voice Acting – Feature

“Frozen 2,” Walt Disney Animation Studios, Josh Gad, Character: Olaf

Best Writing – TV/Media

“Tuca & Bertie,” Episode: The Jelly Lakes, Tornante Productions, LLC for Netflix, Writer: Shauna McGarry

Best Writing – Feature

“I Lost My Body,” Xilam for Netflix, Writer: Jeremy Clapin, Writer: Guillaume Laurant

Best Editorial – TV/Media

“Love, Death & Robots,” Episode: Alternate Histories, Blur for Netflix, Nominee: Bo Juhl, Nominee: Stacy Auckland, Nominee: Valerian Zamel

Best Editorial – Feature

“Klaus,” Netflix Presents A Production of The Spa Studios and Atresmedia Cine, Nominee: Pablo Garcia Revert

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