By Becky Harris | Houzz
Interior designer and house renovator Clark Collins had noticed this prominent French Normandy revival house in Laguna Beach for many years. Occupied by renters since the 1980s, the home had been neglected to the point that one could see sunlight coming through the shingles on the roof when inside. “The condition of the house was deplorable, but it had a good pedigree and great bones,” the designer says.
Restoring the home to its 1940s splendor was a labor of love. Collins stripped 75 years of paint from the hardware on the windows and doors and stripped, repaired and repainted or refinished the floors, wall paneling and millwork. Doing so was much costlier and more time consuming than simply replacing these elements, but well worth the effort. “Basically, if you could have picked up the house, turned it upside down and shaken it, I kept [almost] everything that would stick,” he says. He did replace the HVAC, electrical and plumbing systems and the roof. The house is on the Laguna Beach Historic Resources Inventory, and Collins’ efforts and great eye for finding suitable pieces for the period brought the fine landmark back to life.
Houzz at a Glance
- Who lives here: Interior designer Clark Collins, his partner and their 2 young sons, ages 8 and 10
- Location: Laguna Beach, California
- Size: 2,350 square feet; 3 bedrooms, 3½ bathrooms
- Year built: 1940
- That’s interesting: The chandelier in the living room came from Phyllis Diller’s estate
In 1940 the home was built by Ropp & Mackey for H.P. Walden, a prominent Pasadena lawyer, and his wife. Collins got excited when he heard this, as he knew that Ropp & Mackey was well-regarded and had built many of Laguna’s gems, including the Laguna Beach County Water District Building, the Heisler Building and the Laguna Presbyterian Church. The home is eligible for listing on the Laguna Beach historic register. As someone who appreciates the history of Laguna and historic homes, Collins was just the person to take on restoring it to its former glory.
Out front, Collins cleaned up the landscaping, saving the original camellias to the right of the front entry (they have filled out more since this photo was taken). He matched the driveway’s edging to the original flagstone detail on the path and entry when he redid the driveway. He found 19th-century handmade Italian clay tile for the ridge caps on the new roof so that they would have a period look rather than a new one.
Originally, the octagonal window was to the left of the garage door in a 6-foot-wide storage area. Collins swapped the garage door with this area, and moved the window, to get more room on the first floor.
Inside, Collins saved the original white oak floors, which are stained a dark walnut and finished with a stain urethane. The indoor paneling was stripped, repaired and painted. He rehabilitated all the original windows and their hardware. “Single-pane glass just feels historic, and it really stands out,” he says.
A small desk and a 19th-century chest of drawers furnish the hallway.
Collins is an avid collector of Laguna Beach art. All of the artworks in the house are by local Laguna artists or are of the region, and almost all of them are plein air pieces.
Collins widened an existing opening between the kitchen and the dining room and made it a little taller. The bay window and cabinets beneath the window are original. The table is a French antique from the 1860s with cherry legs and a walnut top.
Having owned a lighting company, Collins paid particular attention to the light fixtures. Most of them are rewired antique pieces. He missed out on buying an antique chandelier just like this one, so he had it reproduced. The sconces are period revival.
The antique flag was a Father’s Day gift for his partner. It has 31 stars and is from the period right after California was added as the 31st state.
The antique English butcher block island in the kitchen came from a friend’s garage. The friend had removed it from his own kitchen and didn’t know what to do with it. Collins struck a deal with him — he could borrow it if he got it fixed up.
Range: Cluny, La Canche; dishwasher and microwave drawer: Bosch
Finishes were important in the kitchen. The counters are limestone, and the hardware is unlacquered brass. The handmade subway tiles are from the period.
“The recessed panels with a little detail on the cabinets are a little more sophisticated than Shaker,” Collins says. The La Canche Cluny range in black is a good modern-day match for the overall look of the kitchen.
Collins replaced a bedroom in the front of the house with this cozy family room. There’s a TV opposite the sofa. The studded table lamp is wrapped in leather and came from the designer’s own lamp company. The dartboard is vintage Abercrombie & Fitch. The stick wicker chair adds texture and a unique silhouette to the room, while the sofa is cozied up with interesting textiles. Underfoot, a Heriz rug warms the room.
Floor lamp: JuxtaPosition; sofa: George Smith; side table: Restoration Hardware
BEFORE: The existing fireplace surround did not live up to the elegance of the living room.
Photo by Jeri Koegel
AFTER: Collins replaced the fireplace sound with limestone that has an antique finish. When he saw the fireplace screen at the George Gershwin/Rosemary Clooney house before it was torn down, he knew it would be perfect for this room. He whipped out his tape measure and found it was just the right size for the opening in his fireplace. Browse Hundreds of Unique Fireplace Screens.
A rich Serapi rug anchors the main seating area, which includes an antique chesterfield sofa re-covered in hemp and Charles Fraden chairs.
Game table: Lee Stanton Antiques; wire mesh chairs: Terrain
More works from Laguna artists grace the walls. The painting over the fireplace is by Dedrick Stuber.
Sofa pillows: Brenda Antin; chair pillows: Kathryn Ireland; coffee table: Lee Stanton Antiques
In the master bedroom, the leather and wood bed, antique Serapi rug, antique American blanket chest and green blanket amp up the cozy factor. A folk art ship by local artist John Taylor adds a playful touch.
Lamp: Peter Dunham, Hollywood at Home; side tables: Michael Smith
Photo by Jeri Koegel
The designer took over a small hallway to expand the master bathroom. He used honed Montclair marble for the octagonal pattern on the floor and on the countertops. Why Marble Countertops are Still Classic Today.
To the left of the door you can also see push-button light switches, which are appropriate to the period. Collins used them throughout the house.
Faucets: Waterworks; cast iron tub: Barclay; push-button switches: Rejuvenation; painting of Laguna Cliffs (reflected in mirror): Geoff Krueger
A combination of windows and mirrors helps keep the room light and bright.
Sconces: Roosevelt Light, Ann-Morris
The marble continues into the shower. The transom and sidelights, which mimic what one would see on an exterior door, let more light into the stall and give it a more open feeling.
The attic was already finished, but Collins removed some bad 1960s wallboard that had replaced the original tongue and groove paneling during a prior renovation. He replaced the wallboard with new tongue and groove paneling.
In the adjacent bathroom, Collins saved the original cabinets and found a period sink almost identical to the failing one it replaced. It is also a little shallower, allowing more clearance for the shower door. Subway tiles and black accents suit the home’s vintage; a clear shower door makes the room feel larger. Collins chose a polished chrome finish for the accents.
Out on the terrace, the family enjoys views of the hills that surround the village. The table has a concrete top; the French bistro chairs are teak. Comfortable and Stylish Outdoor Chairs to Take In the View.
Collins loved working on this home, but now that the house is complete, his adventurous family is in the midst of their next renovation. A converted barn soon will serve as their next home. We can’t wait to see how it turns out.
Hurricanes: Williams-Sonoma; table: Restoration Hardware
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